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An embodied Crow
is seen in front of the
Portal,
along with a
Voiceholder
and an unembodied
Fish.
Notice the seam in the polygons used to construct the
Hoodoos World
's sphere (starting in the upper left corner, and intersecting
Crow); this artifact reveals the construction of the
Hoodoos World
, and was a considered part of the
aesthetics of world construction
by designer
Rachel Strickland.
An embodied Crow
floats past the spires of the
Hoodoos.
An unembodied Fish
floats below a seam in the
Hoodoos World's
enclosing polygonal sphere and behind an embodied Crow
An embodied Crow,
in front of two Voiceholders, and an unembodied Fish.
An embodied Crow
floats past the spires of the
Hoodoos. An unembodied Fish floats in the back, near a clearly visible polygonal panel of the enclosing polygonized sphere. A Voiceholder can be seen to the left of the
Hoodoos.
An unembodied Fish floats in front of a Voiceholder and the
Portal, below a seam in the world.
This wildly askew view is from Crow's point of view as the participant experiences
Crow flight. Three Voiceholders, the
Portal,
and an unembodied
Fish are all to be seen against the backdrop of trees in the Bow River valley, with a mountain blue-gray from ariel perspective in the far distance on the tilted horizon.
The
Portal, seen against a seam in the world by
Snake
in Snake's "infrared" vision. Note that the edges of the
Portal's
polygon can be seen - another instance where an imaging artifact was deliberately left intact, and was a considered part of the
aesthetics of world construction
by designer
Rachel Strickland.
This is another tilted Crow
's eye view, showing an embodied
Snake
in the foreground, and unembodied
Spider
and
Fish
in the background, along with a Voiceholder.
An embodied Spider floats in the foreground, against several seams in the world, with an unembodied Snake to left, with its tail obscuring a Voiceholder against a background of a tree.
